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Arti et Amicitiae (lat .: Arts and friends) is a Dutch artist's society founded in 1839, and located on the Rokin in Amsterdam. The Society (also called Arti for short) has played a key role in the Netherlands art scene and in particular in the Amsterdam art schools. It was and is to this day a hub for artists and art lovers in the city of Amsterdam. It is a private institution which supports artists, maintains social networks and offers a pension fund. Arti et Amicitiae is also the name of the building. The complex was merged from two separate buildings and given a white neo-classical facade by J. H. Leliman in 1855. == History and Structure == In 1794 the last Dutch city painter's guild was dissolved during the French occupation by Napoleonic rule. The need for a common meeting place for artists became various clubs and drawing societies. In 1839 the ''Sociëtait Arti et Amicitiae'' was founded. A year later the building "Grand Salon Dupond", located in the center of Amsterdam at the Rokin 3, was acquired at an auction. It became the home of this young society. It's aim was to address a distinguished audience and to promote interest in art. Initially it was called Arti et Amicitiae - Sociëtait - Société des Beux on Rokin 3. Today it is called Maatschaapij Arti et Amicitiae, or just "Arti". Today the house is assigned the number 112. In 1841 the new exhibition Salon was created according to plans by the architect Marinus van Elven Geradur Tetar on the first floor. He was professor and director of the architecture department at the Royal Academy of Fine Arts in Amsterdam. To enhance this cooperative society of Fine Arts, in 1841 the King William II was given honorary membership. In 1880, the reestablishment of the St. Lucas Artist's Association took place in Amsterdam. This had nothing in common with the construction and alignment of the old guilds. Like other artist clubs, it was a meeting place, place of training and meeting point of art lovers and collectors. However, it was unable to compete with the Sociëteit Arti et Amicitiae because it was considered too academic. Added to this there was the problem of a lack of exhibition space. Of great importance were the art appreciation evenings. Art lovers (amateurs) and collectors gathered around the artist who showed photographs and lithographs.〔This type of printmaking became quite popular in the late 19th-century.〕〔In 1820 a project was initiated by the Baron de Isidore Taylor with the name "Voyages pittoresques et dans l'ancienne France romantiques" to present historical monuments, gothic ruins and wild landscapes as lithography, which was very successful.〕 The declared objective was to stimulate interest in the art, and then finally to improve the economic situation of the artist. This was new for artist societies. After the guilds had vanished as an economic instrument, this form of art promotion was the best alternative. For the members they created a widows and orphans fund along the lines of the old guilds funded by a portion of entrance fees for artists, the sale of exhibition catalogs and membership fees of the honorary members. Other income was generated from sales from the collection of the Historical Gallery. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Arti et Amicitiae」の詳細全文を読む スポンサード リンク
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